GIVING A TEMPO (Part 2)
Most actors treat tempo like a suggestion. Something loose. Something the accompanist will “figure out.” And that’s exactly how you end up starting your song in the wrong world.
GIVING A TEMPO (Part 1)
Most actors think they’re giving a clear tempo. They’re not. They’re approximating. Guessing. Hoping the accompanist interprets it correctly. And that gap is where things fall apart.
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